The Seven Husbands of Evelyn Hugo is a historical fiction novel by American author Taylor Jenkins Reid and published by Atria Books in 2017. The novel tells the story of the fictional Old Hollywood star Evelyn Hugo, who at age 79 gives a final interview to an unknown journalist, Monique Grant.
The novel was nominated for a Goodreads Choice Award for Best Historical Fiction of 2017.
Garai baten, gizarte baten eta gizarte klase jakin baten isla den kontakizun itxuraz arin honek hausnarketarako zenbait gai plazaratzen ditu, nahiz eta ez duen lortzen zenbait topiko erromantikori ihes egiten.
I enjoyed reading this book about a fictional celebrity who wishes to tell her story. The magazines made headlines for her seven marriages and then divorces. But what was hidden behind them ?
Fame and money don't bring happiness. Who still doubts it ? Not Evelyn Hugo.
It's a fun, breezy read, even if it does bog down a tetch toward the end as it ties up some loose ends, but there's clearly a Blanchett ot a Streep or a Julianne Moore or someone who's gonna win an Oscar for playing the title role in the movie adaptation.
Los siete maridos de Evelyn Hugo es un libro del que esperaba algo más, aunque no sé muy bien qué. Es una lectura amena, no me fue difícil entrar en la historia y enganchar capítulo tras capítulo para ver qué pasaba, pero me faltaba algo. Quizás era conectar más con lo que me contaba y con los personajes, lo que solo conseguí en momentos muy concretos de la historia. Puede que a mí en general me cueste empatizar con la gente rica (la mayoría de personajes lo son), pero el estilo además no ha ayudado en absoluto, la manera de contar las cosas lo volvía todo superficial: lo que sentían los personajes, cómo se relacionaban, la experiencia de tener una sexualidad no normativa o ser racializada… Quizás se trate de eso, de la superficialidad de Hollywood, del dinero y la fama, pero no me parece que fuese eso lo que …
Los siete maridos de Evelyn Hugo es un libro del que esperaba algo más, aunque no sé muy bien qué. Es una lectura amena, no me fue difícil entrar en la historia y enganchar capítulo tras capítulo para ver qué pasaba, pero me faltaba algo. Quizás era conectar más con lo que me contaba y con los personajes, lo que solo conseguí en momentos muy concretos de la historia. Puede que a mí en general me cueste empatizar con la gente rica (la mayoría de personajes lo son), pero el estilo además no ha ayudado en absoluto, la manera de contar las cosas lo volvía todo superficial: lo que sentían los personajes, cómo se relacionaban, la experiencia de tener una sexualidad no normativa o ser racializada… Quizás se trate de eso, de la superficialidad de Hollywood, del dinero y la fama, pero no me parece que fuese eso lo que la escritora quería contar ni lo que la mayoría de lectores se lleva.
Había oído hablar mucho y muy bien de esta novela, así que esperaba algo mejor. Es el típico problema de las altas expectativas a la hora de leer un libro. Me pregunto si lo hubiera disfrutado más si no hubiera esperado gran cosa de él, pero si no hubiese escuchado esas alabanzas probablemente ni hubiera sabido que existía y no hubiera habido lectura.
Review of 'The Seven Husbands of Evelyn Hugo' on 'Goodreads'
4 izar
Reid performs a fun balancing act of switching viewpoint characters, as well as sprinkling in ephemera from the history of the fictional protagonist. It's a very smooth and easy read, a real page-turner. While there are surprises and twists, they all feel very well-earned. It's a story of love, a story of devotion, a story of ruthlessness and of generosity.
By the end of the book, I really wished that Evelyn Hugo had been a real person, such is Reid's ability to create real characters. Monique and Harry and Celia all feel fully-realized as well, and even the characters who barely get any "screen time" act like people. The dialog is snappy and I'd love to have a snarky conversation with Evelyn.
Recommended to anyone who likes books about people and social norms.
Review of 'The Seven Husbands of Evelyn Hugo' on 'Goodreads'
3 izar
This is a (kind of) good book but it's not great. There is no depth of character even though you are given Evelyn Hugo's whole life story within the pages. Evelyn was a cardboard cutout (and unlikable) and all you really know about her can be summed up in a few sentences. Just somewhat above ok-ish truthfully.
I liked the old Hollywood setting though. I liked the period of time it brought back to life-when America worshipped movie stars, bought magazines to catch up on the latest gossip, went to theaters to watch their favorite stars perform. It really was a big deal back in the 40s to about the mid 70s. Movie studios controlled the artists' lives back in the earlier days and would manipulate and curate the artists' persona, love life, artistic choices, fashion. Cover up messes and hide scandals, too. I grew up at the tail end …
This is a (kind of) good book but it's not great. There is no depth of character even though you are given Evelyn Hugo's whole life story within the pages. Evelyn was a cardboard cutout (and unlikable) and all you really know about her can be summed up in a few sentences. Just somewhat above ok-ish truthfully.
I liked the old Hollywood setting though. I liked the period of time it brought back to life-when America worshipped movie stars, bought magazines to catch up on the latest gossip, went to theaters to watch their favorite stars perform. It really was a big deal back in the 40s to about the mid 70s. Movie studios controlled the artists' lives back in the earlier days and would manipulate and curate the artists' persona, love life, artistic choices, fashion. Cover up messes and hide scandals, too. I grew up at the tail end of that era and can somewhat remember what it was like to go see a movie like The Way We Were with Barbara Streisand and Robert Redford. Or Ali McGraw and Ryan O'Neal in Love Story. I recently watched Love Story again on tv after not even thinking about it for at least 45 years or so and thought "Oh, how hokey 'Love means never having to say you're sorry', yeah right, give me a break." And then crying at the melodramatic ending anyway, lol.
The great love affair of Evelyn with fellow actress Celia St. James was not belivable in the slightest and so bland and passionless and blah. And as the whole of the story pivots around that "great love" and it's not even interesting... it makes the rest of the story lackluster as well.
Easy enough reading if you want a sort of mindless book to read at the beach or beside the pool where you don't have to concentrate too hard to keep the plot straight but still be entertained enough until something better and more entertaining happens to pull your attention away. It'll be easy enough to pick up where you left off... blah blah blah Evelyn gets married AGAIN...
The reveal at the end was WEAK SAUCE and kind of ruined the book in my opinion. It was NOT needed.