hardcover, 368 orrialde
2021ko ira. 27a(e)an Tor Books(e)n argitaratua.
Good Omens meets The Long Way to a Small, Angry Planet in this defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something …
Good Omens meets The Long Way to a Small, Angry Planet in this defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn't have time for crushes or coffee dates, what with her very soul on the line, but Lan's kind smile and eyes like stars might just redefine a soul's worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
I had a problem getting used to the writing style at first, but as I got used to it I could see the beauty of the story
A book driven by its characters. I think it would be hard not to empathise with Katrina. The momentum keeps going and you want it to keep going for the characters. Leap of faith in the storyline, no problem, I want this to happen for them.
Written with the narrators view it was able to weave the stories of several people together, but with a strong emphasis on a couple of characters. The narration was also used to skip some of the exacting detail about Katrina's early life while explaining it. For sure a content warning for some of that though.
I can't remember the last time I read a novel that I felt so much. I love the characters, particularly the three central women, I love the story, wild though it is, I love the descriptions, and I love the ending. I felt invested in the characters' lives, particularly Katrina's, in a way I rarely do.
I'm not sure I can unequivocally recommend it, though. Ryka Aoki doesn't shy away from showing how hard Katrina's life is. The first few chapters are particularly tough going, but even when things pick up for her, it's still not all beer and skittles. Not sure I could provide a definitive list of CWs, but transphobia and sexual assault would have to be in there.
Edukiari buruzko abisua Very poor ending; selling souls to hell does pay!
I accept that I'm probably not the target audience for this, but here we go... I so wanted to like this as I've seen lots of good reviews and the book does have lots of good aspects: it's nice to see Asian-American communities described so ...lovingly, the food and violin bits are well done, one of the protagonists is a trans woman. But... it's not well written (too many POV changes, too much telling and not enough showing), Bad Things Are Done directly or indirectly by main characters without accountability, characters lack agency and do things because of the authors being able to make them do things as opposed to them being sufficiently well-developed so that you think they're making their own decisions (e.g when Astrid catches Katrina at a webcam). The sciency bits are complete gibberish. The two plot strands come together very clumsily at the end (really would have benefited from omitting the intergalactic donut salespeople (and another thing, if sales are dipping, why not replicate ...money instead of donuts?) and concentrating on the violin/souls aspect). It's also heinously missold as "Good Omens meets The Long Way to a Small, Angry Planet". It's neither and is a long way from either. I think we can all agree that misgendering is pretty shit, but it doesn't need to be a capital offence; a bit of wish fulfilment perhaps? The quote in the title is said by a character to Katrina but applies to Shizuka, who really is quite a problematic character. And the book lacks empathy for others; there's Katrina, Shizuka, the Trans (get it? the TRANS!) and a few others, but many other people in the book don't rise above NPC level and can be treated accordingly. I feel my blood pressure rising, so I'll stop, but before I do, maybe the book needs content warnings for sexual assault, transphobia, racism and homophobia among others.
Faustian bargains, aliens, the love of music, and the journey of a transgender woman. It all fits together pretty well. I understand the comparisons to Becky Chambers, in that a chosen family supports one another.
