Azal biguna, 222 orrialde
English hizkuntza
2021ko aza. 22a(e)an AK Press(e)n argitaratua.
Dimos Horacki is a Borolian journalist and a cynical patriot, his muckraking days behind him. But when his newspaper ships him to the front, he’s embedded in the Imperial Army and the reality of colonial expansion is laid bare before him. His adventures take him from villages and homesteads to the great refugee city of Hronople, built of glass, steel, and stone, all while a war rages around him. The empire fights for coal and iron, but the anarchists of Hron fight for their way of life. A Country of Ghosts is a novel of utopia besieged that challenges every premise of contemporary society.
I always enjoy Margaret's writing. This was a quick and enjoyable read that, for all its brevity, still managed to expand my mind.
( em português → sol2070.in/2025/01/livro-a-country-of-ghosts/ )
"A Country of Ghosts" (2014), by Margaret Killjoy, is a delightful dystopian/utopian novel, especially appealing to anti-authoritarians readers.
It’s a political fantasy set in an alternate world approximately at the beginning of its industrial revolution. A colonial, expansionist military power invades a mountainous region to exploit its resources, knowing little about its inhabitants. They are deemed primitive, simplistic, and violently resistant to the incursion — people to be exterminated or enslaved.
We follow a journalist assigned to cover the conflict. Embedded with the troops, they soon discover that the local people are far more politically, culturally, and combatively sophisticated than presumed. The region is a free, autonomous confederation — a living anarchist utopia.
While it’s not so uncommon to find anarchist elements in dystopian or utopian fiction, when the author herself is an anarchist, the portrayal becomes much more vivid. Great examples include "The …
( em português → sol2070.in/2025/01/livro-a-country-of-ghosts/ )
"A Country of Ghosts" (2014), by Margaret Killjoy, is a delightful dystopian/utopian novel, especially appealing to anti-authoritarians readers.
It’s a political fantasy set in an alternate world approximately at the beginning of its industrial revolution. A colonial, expansionist military power invades a mountainous region to exploit its resources, knowing little about its inhabitants. They are deemed primitive, simplistic, and violently resistant to the incursion — people to be exterminated or enslaved.
We follow a journalist assigned to cover the conflict. Embedded with the troops, they soon discover that the local people are far more politically, culturally, and combatively sophisticated than presumed. The region is a free, autonomous confederation — a living anarchist utopia.
While it’s not so uncommon to find anarchist elements in dystopian or utopian fiction, when the author herself is an anarchist, the portrayal becomes much more vivid. Great examples include "The Dispossessed" by Ursula K. Le Guin and "The Fifth Sacred Thing" by Starhawk.
Described as a story in the tradition of Le Guin (and Sherri S. Tepper), the work is also an epic about war — the destructive oppression against freedom in its purest form.
Killjoy writes the best anarchist newsletter/blog ( margaretkilljoy.substack.com/ ) I know and is an exemplary storyteller, especially in queer libertarian fantasy. I’m eager to read her acclaimed latest novel: "The Sapling Cage" (2024).
A breath of fresh air. It was extremely healing to read some actual anarchist fiction--something that can make me feel good about myself and the world. If you wanted a inverted, optimistic Dishonored, look no further.
It's definitely a shorter read (by the metrics of my 2-hour-podcast-addled brain) and parts of the prose are surprisingly sparse. Something will happen, or you'll meet someone, and you'll think "Gosh, that was fast! I liked that bit! Why couldn't we have gone into more detail?" The map at the front is a perfect metaphor--the capital cities of Borolia and Vorronia, but the only other fleshed out place is Hron.
Ultimately it makes sense. This is a story written by Dimos, and Dimos is explicitly emphasizing certain parts of his story to explain what the hell Hron is to the people living back in Borolia. Writing any story at all is a massive undertaking …
A breath of fresh air. It was extremely healing to read some actual anarchist fiction--something that can make me feel good about myself and the world. If you wanted a inverted, optimistic Dishonored, look no further.
It's definitely a shorter read (by the metrics of my 2-hour-podcast-addled brain) and parts of the prose are surprisingly sparse. Something will happen, or you'll meet someone, and you'll think "Gosh, that was fast! I liked that bit! Why couldn't we have gone into more detail?" The map at the front is a perfect metaphor--the capital cities of Borolia and Vorronia, but the only other fleshed out place is Hron.
Ultimately it makes sense. This is a story written by Dimos, and Dimos is explicitly emphasizing certain parts of his story to explain what the hell Hron is to the people living back in Borolia. Writing any story at all is a massive undertaking anyway. This story leaves me wanting more, and I was sad to see it end, so I guess you can read all of this as one big backhanded compliment.
Margaret treats death in such a fascinating way--as a sad, unexpected, almost prosaic thing. People don't get long dramatic death scenes. But they are mourned by the author and the reader. I was absolutely tearing up by the end--and I'm so, so happy that it's not a story of doomed revolution. It's a story of a hard fought victory and an uncertain future.
There are some incredibly poignant quotes, memorable characters, and god-tier end-of-chapter cliffhangers. I literally laughed out loud several times when I got to the end of a chapter, thinking "Dammit, I've got to see THIS."
Anyway, I think this book is a really fantastic primer on what the hell a lot of anarchists believe in. It is not a blueprint or a prophecy for the future: it's the picture of a society's spirit, of a kind of place and a way of thinking. Every bit of worldbuilding we see is vivid and fascinating and, well, fantastical.
You can tell it was written in 2013, and in 2013 I think this book would have hit me like a truck. But it's 2023, and I'm already an anarchist. What I personally love about this book is not its exposition on how anarchist societies can work in practice. I love that it it's a fantasy novel, a hope-punk adventure, that I can feel good reading. For a lot of stories, I have this constant tension in the back of my mind as I'm frustrated with the author and the characters for missing the bigger picture, dammit. Having a piece of entertainment that actually reflects my values for once was really, really nice. I am so, so fucking tired of dystopian fiction about how sad it is to be rich and how awful the police are and the woe of our cynical world, guess we just gotta live with it. Give me this over Succession any day.
Also there was some unexpected poly rep that I found really nice.
At times a bit didactic, and certainly anachronistic - it's set in the past, in an anarchist community, with a very present sensibility - the story keeps everything going nicely. If you've ever been involved in non-hierarchical, and anarchist, spaces or groups you'll recognise a lot of the underlying organisation and discussions. There's a fair focus on the different ways of doing things, and social verses individualism. Less so some of the other complex interpersonal situations that arise. All more easily solved, and enjoyable to read, with the outside enemy of the expansionist imperialist state.
