Alonso Fernández de Avellaneda is the pseudonym of a man who wrote a sequel to Cervantes' Don Quixote, before Cervantes finished and published his own second volume.
The identity of Avellaneda has been the subject of many theories, but there is no consensus on who he was. Cervantes knew that Avellaneda was a pseudonym and that the volume's publication information was false. Cervantes also indicated four times in the second part of his Don Quixote that Avellaneda was from Aragon.
One theory holds that Avellaneda's work was a collaboration by friends of Lope de Vega, although none of them were from Aragon. Another theory is that it was by Gerónimo de Passamonte, born in Aragon, the real-life inspiration for the character Ginés de Pasamonte of Part I. In fact, Avellaneda knows and praises the Brotherhood of the Santísimo Rosario de Calatayud, and there is only one candidate who could have known that brotherhood: Jerónimo de Pasamonte, who wrote in his autobiography that he entered that same brotherhood at the age of 13.
Critical opinion has generally held Avellaneda's work in low regard, and Cervantes himself is highly critical of it in his own Part 2. However, it is possible that …
Alonso Fernández de Avellaneda is the pseudonym of a man who wrote a sequel to Cervantes' Don Quixote, before Cervantes finished and published his own second volume.
The identity of Avellaneda has been the subject of many theories, but there is no consensus on who he was. Cervantes knew that Avellaneda was a pseudonym and that the volume's publication information was false. Cervantes also indicated four times in the second part of his Don Quixote that Avellaneda was from Aragon.
One theory holds that Avellaneda's work was a collaboration by friends of Lope de Vega, although none of them were from Aragon. Another theory is that it was by Gerónimo de Passamonte, born in Aragon, the real-life inspiration for the character Ginés de Pasamonte of Part I. In fact, Avellaneda knows and praises the Brotherhood of the Santísimo Rosario de Calatayud, and there is only one candidate who could have known that brotherhood: Jerónimo de Pasamonte, who wrote in his autobiography that he entered that same brotherhood at the age of 13.
Critical opinion has generally held Avellaneda's work in low regard, and Cervantes himself is highly critical of it in his own Part 2. However, it is possible that Cervantes would never have composed his own continuation without the stimulus Avellaneda provided.Throughout Part 2 of Cervantes' book, Don Quixote meets characters who know of him from their reading of his Part 1, but in Chapter 59, Don Quixote first learns of Avellaneda's Part 2. In that chapter, Don Quixote meets two characters who are reading Avellaneda's recently published book. One of those characters is called Jerónimo, like Jerónimo de Pasamonte, which could be another indication from Cervantes about the identity of Avellaneda. The character hands over the apocryphal book to Don Quixote, recognizing him as the true one. Cervantes would have made the literary representation of Avellaneda, personified in the character known as Jerónimo, recognize his Don Quixote as the true one. Don Quixote is outraged because Avellaneda portrays him as being no longer in love with Dulcinea del Toboso. As a result, Don Quixote decides not to go to Zaragoza to take part in the jousts, as he had planned, because such an incident features in that book.
From then on, Avellaneda's work is ridiculed frequently; Don Quixote even meets one of its characters, Don Alvaro Tarfe, and gets him to swear an affidavit that he has never met the true Don Quixote before.
Alonso Fernández de Avellaneda(e)k idatzitako liburuak
